Danh mục tác phẩm của Nikolai Rimsky-Korsakov
Opera
- The Maid of Pskov (Псковитянка = Pskovitjanka): 1868-1872 (1st version); 1876-1877 (2nd version); 1891-1892 (3rd version)
- Mlada (Млада): 1872 (portions of Acts II and III from project composed collectively by Borodin, Cui, Minkus, Musorgsky, and Rimsky-Korsakov)
- May Night (Майская ночь = Majskaja noch’): 1878-1879
- The Snow Maiden (Снегурочка = Sneguročka): 1880-1881 (1st version); ca. 1895 (2nd version)
- Mlada (Млада): 1889-1890 (complete setting of unstaged collaborative project from 1872)
- Christmas Eve (Ночь перед Рождеством = Noč' pered Roždestvom): 1894-1895
- Sadko (Садко): 1895-1896
- Mozart and Salieri (Моцарт и Сальери = Mocart i Sal'eri): 1897
- The Noblewoman Vera Sheloga (Боярыня Вера Шелога = Bojarynja Vera Šeloga): 1898
- The Tsar's Bride (Царская невеста = Carskaja nevesta): 1898
- The Tale of Tsar Saltan, of His Son, the Famous and Mighty Bogatyr Prince Gvidon Saltanovich, and of the Beautiful Princess Swan (Сказка о царе Салтане, о сыне его, славном и могучем богатыре князе Гвидоне Салтановиче и о прекрасной Царевне Лебеди = Skazka o care Saltane, o syne ego, slavnom i mogučem bogatyre knjaze Gvidone Saltanoviče i o prekrasnoj Carevne Lebedi): 1899-1900
- Servilia (Сервилия = Servilija): 1900-1901
- Kashchey the Immortal (Кащей бессмертный = Kaščej bessmertnyj): 1901-1902
- Pan Wojewoda (Пан воевода = Pan vojevoda; literally, The Gentleman Provincial Governor): 1902-1903
- The Legend of the Invisible City of Kitezh and the Maiden Fevroniya (Сказание о невидимом граде Китеже и деве Февронии = Skazanie o nevidimom grade Kiteže i deve Fevronii): 1903-1904
- The Golden Cockerel (Золотой петушок = Zolotoj petušok): 1906-1907
Hợp xướng
Hợp xướng tôn giáo
(Đều ở thể loại a cappella)
- "Thee, O God, We Praise" ("Тебе Бога хвалим"), for double chorus, 1883
- Collection of Sacred Musical Compositions by N.A. Rimsky-Korsakov Used at the Imperial Court. Four-Voice Compositions from the Liturgy of St. John Chrysostom, Op. 22, 1883; contains 8 pieces
- Collection of Sacred Musical Arrangements by N.A. Rimsky-Korsakov Used at the Imperial Court, Op. 22b, 1884; contains 6 hymns based on chant melodies
- Collection of Sacred Musical Compositions and Arrangements by N.A. Rimsky-Korsakov for Mixed Chorus, 1883-1884; contains 23 pieces, published posthumously in 1913
Hợp xướng thế tục
(Ở thể loại a cappella trừ một số tác phẩm có chỉ rõ)
- Two Choruses, Op. 13, for three women's parts, 1874
- Four Variations and a Fughetta on the Russian Folksong "Надоели ночи", Op. 14, for four women's parts with piano or harmonium ad lib. 1874
- Six Choruses, Op. 16, variously for mixed, women's, and men's voices, 1875-1876
- Two Choruses, Op. 18/22, for mixed voices, 1876
- Four Choruses, Op. 23, for three men's parts with piano ad lib., 1876
- Poem about Alexei, Man of God, Op. 20, for altos, tenors, and basses with orchestra, 1878
- Fifteen Russian Folksongs, Op. 19, for mixed voices, 1879
- "Glory" ("Слава" = "Slava"), Op. 21, for mixed voices with orchestra, 1879-1890
- Two Choruses, for childresn's voices, 1884
- Switezianka, Op. 44, cantata for soprano and tenor soloists and mixed voices with orchestra, 1897
- Song of Oleg the Wise, Op. 58, cantata for tenor and bass soloists and men's voices with orchestra, 1899
- From Homer, Op. 60, prelude-cantata for soprano, mezzo-soprano, and alto soloists and women's voices with orchestra, 1901
Âm nhạc cho dàn nhạc và ban nhạc
Các tác phẩm cho dàn nhạc giao hưởng
- Symphony No. 1 in E Minor, Op. 1, 1861-1865]] (1st version), 1884 (2nd version)
- Overture on Three Russian Themes, op. 28 1866 (1st version), 1879-1880 (2nd version)
- Fantasy on Serbian Themes, Op. 6 1867 (1st version), 1886-1887 (2nd version); also called Serbian Fantasy
- Sadko, Op. 5, musical tableau, 1867 (1st version), 1869 (2nd version), 1891-1892 (3rd version)
- Symphony No. 2, Antar, Op. 9, 1868 (1st version), 1875 (2nd version), 1897 (3rd version); also called "symphonic suite"
- Symphony No. 3 in C, Op. 32, 1866-1873 (1st version), 1886 (2nd version)
- Music to Mey's drama The Maid of Pskov, suite of five numbers, 1877 (adapted from the opera as incidental music)
- Fairytale [Сказка = Skazka], Op. 29, 1879-1880
- Sinfonietta on Russian Themes in A minor, Op. 31, 1879-1884; adaptation of first three movements from string quartet of 1878-1879
- Capriccio on Spanish Themes (i.e., Capriccio espagnol), Op. 34, 1887
- Scheherezade, Op. 35, symphonic suite, 1888
- Easter Festival (Светлый праздник, i.e., Russian Easter), overture, op. 36, 1888
- Theme and Variation No. 4, 1903, from collective set of variations on a Russian theme, with Artsybushev, Vitols, Liadov, Sokolov, and Glazunov
- On the Tomb, Op. 61, prelude, 1904, in memory of M.P. Belaieff
- "Dubinushka", Op. 62, 1905 (1st version), 1906 (2nd version with choral parts ad lib.)
- "Greeting" ["Здравица"], 1907, for Glazunov
- Neapolitan Song [i.e., "Funiculi, funicula"], Op. 63, 1907
Các trích đoạn opera cho hòa tấu dàn nhạc
- The Snow Maiden
- Suite; includes:
- Dance of the Skomorokhi (Act III) (also known as "Dance of the Clowns" or "Dance of the Tumblers")
- Mlada
- Suite; includes:
- Night on Mount Triglav, 1899-1901; purely orchestral adaptation of Act 3
- Christmas Eve -- suite
- The Tale of Tsar Saltan
- Three Musical Pictures (introductions to Act 1, Act 2, and Act 4, Tableau 2)
- "Flight of the Bumblebee" (from Act III, Tableau 1)
- Pan Wojewoda -- Suite
- The Golden Cockerel
- Introduction and Wedding March
- Suite (prepared by Glazunov and M. Steinberg)
- The Legend of the Invisible City of Kitezh and the Maiden Fevroniya -- Suite (prepared by Glazunov and M. Steinberg)
Tác phẩm cho nhạc cụ độc tấu cùng dàn nhạc hoặc ban nhạc
- Concerto in B-flat, for trombone and military band, 1877
- Variations in G Minor on a theme by Glinka, for oboe and military band, 1878
- Konzertstück in E-flat, for clarinet and military band, 1878
- Piano Concerto in C-sharp Minor, 1882-1883
- Fantasy on Two Russian Themes, Op. 33, for violin and orchestra, 1886-1887
- Mazurka on [Three] Polish Folk Themes, for violin and orchestra 1888; also called Souvenir de trois chants polonais
- Serenade, Op. 37, for violoncello and orchestra, orchestrated in 1903 from violoncello/piano original
Ca khúc
Tuyển tập dân ca
- Collection of One Hundred Russian Folksongs, Op. 24, 1875-1876
- Forty Folksongs, 1875-1882
Nhạc thính phòng
- String Quartet in F, Op. 12, 1875
- String Sextet in A, for pairs of violins, violas, and violoncellos, 1876
- Quintet in B-flat, for flute, clarinet, horn, bassoon, and piano, 1876
- String Quartet on Russian Themes, 1878-1879
- First three movements later adapted for Sinfonietta, Op. 31
- Remaining fourth movement has title "In a Monastery" ["В монастыре"] (version for piano four-hands is entitled "In a Church")
- Four Variations on a Chorale in G minor, for strings quartet, 1885
- String Quartet "B-la-F", 1st movement, 1886; other movements by Liadov, Glazunov, and Borodin
- String Quartet Jour de fête [Именины], finale ("Round-Dance" ["Хоровод"]), 1887; other movements by Glazunov and Liadov
- Nocturne in F, for four horns, ca. 1888
- Two Duets in F, for two horns, 1883?-1894?
- Canzonetta and Tarantella, for two clarinets, 1883?-1894?
- Serenade, for violoncello and piano, 1893; also orchestrated as Op. 37
- String Quartet in G, 1897
- Trio in C Minor, for violin, violoncello, and piano, 1897; completed by Maximillian Steinberg in 1939
- Theme and Variation No. 4 in G Major, for string quartet, 1898; for collective Variations on a Russian Theme ("Надоели ночи надоскучили"), with Artsybushev, Skriabin, Glazunov, Liadov, Vitols, Blumenfeld, Ewald, Winkler, and Sokolov
- Allegro in B-flat, for string quartet, 1899, for the collective set of string quartet pieces entitled Les vendredis, with Glazunov, Artsybushchev, Sokolov, Liadov, Vitols, Osten-Sacken, Blumenfeld, Borodin, and Kopylov
Piano
- Six Variations to the theme BACH, ор. 10, 1878 (Waltz, Intermezzo, Scherzo, Nocturne, Prelude and Fugue)
- Four Pieces, ор. 11, 1876-1877 (Impromptus, Novelette, Scherzino, Etude)
- Three Pieces, ор. 15, 1875-1876 (Waltz, Romance, Fugue)
- Six Fugues, op. 17, 1875
- Two Pieces, ор. 38, 1894-1897 (Prelude-Impromptus, Mazurka)
- Variations (Nos. 1, 2, 6, 11, 3, 16 and 19) and Pieces (Lullaby, Little Fugue to the theme BACH, Tarantella, Minuet, Bells [Трезвон — Trezvon], Comic Fugue) from a collective paraphrase to the constant theme, without op, 1878
- Fugues and Fughettas, without op, 1875-1876
- Allegretto C major, without op, 1895
- Prelude G major without op, 1896
- Theme and 1st variation from collective variations to the Russian theme, without op, 1899
- Fugue C major in 4 hands (also: transcription in 2 hands), without op, 1875
- Variations to the theme by Misha, without op, c.1878-1879
- Song [Песенка — Pesenka] (Andantino) from the army collection Arzunkner, without op, 1901
- Finale of the collective Joke-Quadrille in 4 hands, without op, 1890
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